The Medieval Modes of Syllogisms

To provide for the memorization of the useful modes of syllogisms, the “Schoolmen” (i.e., Scholastic Catholic philosophers of the middle ages) created a system of names.  In his translation of Aristotle’s Prior Analytics, Thomas Taylor provides a helpful explanation of this system, which is provided below.


The quantity of a proposition, so far as pertains to syllogism is twofold, universal and particular. And it must be observed, that a universal affirming proposition has the symbol A; a universal denying proposition E; a particular affirming proposition has the symbol I; and a particular denying proposition, the symbol O.

The distinct modes.of syllogisms are sixteen, which being multiplied according to triple figure, make forty-eight. But of these sixteen, eight are entirely useless, viz. E E, E O, I E, I I, I O, O E, O I, O O. The remaining eight are useful; viz. A A, A E, A I, A O, E A, E I, I A, O A; and they are so disposed in figures, that four modes are contained in the, first, four in the second, and six in the third figure; all of them being direct. These are contained in the following barbarous terms invented by the schoolmen:

  1. Barbara, Celarent, Darii, Ferii;
  2. Cesare, Camestres, Festino, Baroco;
  3. Darapti, Felapton, Disamis, Datisi, Bocardo, Ferison.

In these words, three syllables signify as many propositions; the first syllable signifying the major proposition; the second syllable signifying the minor proposition; and the last syllable signifying the conclusion.

First Figure

  1. Barbara
    Every B is A. (bAr)
    Every C is B. (bA)
    ∴ Every C is A. (rA)
  2. Celarent
    No B is A. (cE)
    Every C is B. (lA)
    ∴ No C is A. (rEnt)
  3. Darii
    Every B is A. (dA)
    Some C is B. (rI)
    ∴ Some C is A. (I)
  4. Ferio
    No B is A. (fE)
    Some C is B. (rI)
    ∴ Some C is not A. (O)

Second Figure

  1. Cesare
    No A is B. (cE)
    Every C is B. (sA),
    ∴ No C is A. (rE)
  2. Camestres
    Every A is B. (cA)
    No C is B. (mE)
    ∴ No C is A. (strEs)
  3. Festino
    No A is B. (fEs)
    Some C is B. (tI)
    ∴ Some C is not A. (nO)
  4. Baroco
    Every A is B. (bA)
    Some C is not B. (rO)
    ∴ Some C is not A. (cO)

Third Figure

  1. Darapti
    Every B is A. (dA)
    Every B is C. (rAp)
    ∴ Some C is A. (tI)
  2. Felapton
    No B is A. (fE)
    Every B is C. (lAp)
    ∴ Some C is not A. (tOn)
  3. Disamis
    Some B is A. (dI)
    Every B is C. (sA)
    ∴ Some C is A. (mIs)
  4. Datisi
    Every B is A. (dA)
    Some B is C. (tI)
    ∴ Some C is A. (sI)
  5. Bocardo
    Some B is not A. (bO)
    Every B is C. (cAr)
    ∴ Some C is not A. (dO)
  6. Ferison
    No B is A. (fE)
    Some B is C. (rI)
    ∴ Some C is not A. (sOn)

Therefore, there are also five indirect modes in the first figure: Baralipton, Celantis, Dabitis, Fapesmo, Frisesmorum.


God bless your studies,
Mr. William C. Michael, O.P.
Headmaster
Classical Liberal Arts Academy